Klasika

Jane Austen's novel tells the story of Marianne Dashwood, who wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

One of the great imaginative novels of the century, a fierce political satire, filled with the most dazzling surreal humour. One hot spring, the devil arrives in Moscow, accompanied by two demons, a beautiful naked witch and a huge black cat with a fondness for chess and vodka. When the visitors leave, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, remain undiminished. An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is one of the essential classics of modern Russian literature.

Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.

Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode.
Pages: 272

These special fairy tales, which Oscar Wilde made up for his own sons, include 'The Happy Prince', who was not as happy as he seemed; 'The Selfish Giant', who learned to love little children; 'The Star Child', who suffered bitter trials when he rejected his parents. . . . Often whimsical and sometimes sad, they all shine with poetry and magic.

When Betty MacDonald married a marine and moved to a small chicken farm on the Olympic Peninsula in Washington State, she was largely unprepared for the rigors of life in the wild. With no running water, no electricity, a house in need of constant repair, and days that ran from four in the morning to nine at night, the MacDonalds had barely a moment to put their feet up and relax. And then came the children. Yet through every trial and pitfall—through chaos and catastrophe—this indomitable family somehow, mercifully, never lost its sense of humor. A beloved literary treasure for more than half a century, Betty MacDonald's The Egg and I is a heartwarming and uproarious account of adventure and survival on an American frontier.

Fielding's comic masterpiece of 1749 was immediately attacked as 'A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest wo

It's New York in the 1940s, where the martinis flow from cocktail-hour to breakfast at Tiffany's. And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction.

With an Introduction and Notes by Dr Siv Jansson, University of Greenwich. Begun when the author was only eighteen and conceived from a nightmare, Frankenstein is the deeply disturbing story of a monstrous creation which has terrified and chilled readers since its first publication in 1818. The novel has thus seared its way into the popular imagination while establishing itself as one of the pioneering works of modern science fiction.

With his fourth novel, legendary barfly Charles Bukowski follows the path of his alter ego Henry Chinaski through the high school years of acne and rejection, drinking his way through the Depression, and ends at the start of World War 2.

Henry Chinaski, an outcast, a loner and a hopeless drunk, drifts around America from one dead-end job to another, from one woman to another and from one bottle to the next. Uncompromising, gritty, hilarious and confessional in turn, his downward spiral is peppered with black humour. Factotum follows Charles Bukowski's bestselling Post Office, his highly autobiographical first novel. Bukowski's Beat Generation writing reflects his slum upbringing, his succession of menial jobs and his experience of low life urban America. He died in 1994 and is widely acknowledged as one of the most distinctive writers of the last fifty years.