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This is where the dragons went. They lie…not dead, not asleep, but…dormant. And although the space they occupy isn't like normal space, nevertheless they are packed in tightly. They could put you in mind of a can of sardines, if you thought sardines were huge and scaly. And presumably, somewhere, there's a key...


Guards! Guards! is the eighth Discworld novel - and after this, dragons will never be the same again!

There's Young Agnes, who is really in two minds about everything. Magrat, who is trying to combine witchcraft and nappies, Nanny Ogg…and Granny Weatherwax, who is big trouble. And the vampires are intelligent. They've got style and fancy waistcoats. They're out of the casket, and want a bite of the future. Mightily Oats knows he has a prayer, but wishes he had an axe. Carpe Jugulum is Terry Pratchett's twenty-third Discworld Novel - but the first to star vampires.

Set in Hardy's Wessex, Tess is a moving novel of hypocrisy and double standards. Its challenging sub-title, A Pure Woman, infuriated critics when the book was first published in 1891, and it was condemned as immoral and pessimistic. It tells of Tess Durbeyfield, the daughter of a poor and dissipated villager, who learns that she may be descended from the ancient family of d'Urbeville. In her search for respectability her fortunes fluctuate wildly, and the story assumes the proportions of a Greek tragedy. It explores Tess's relationships with two very different men, her struggle against the social mores of the rural Victorian world which she inhabits and the hypocrisy of the age.

Quirky, bizarre, tragic, fiendishly funny, The Hotel New Hampshire is anything but a conventional family saga, though a family saga it certainly is. The Berry family are different. Love abounds - both healthy and incestuous. It is the overwhelming desire of the Berry father to run a hotel, which he does, with dubious success in both a former girls' school in New Hampshire, and in Vienna. It is the Berry children who grab the readers' attention, sympathies and love - all five of them: Frank (the eldest), Franny (the weirdest), John (the narrator), Lily (the writer) and Egg (the youngest). When Irving, or rather John, writes 'Frank's queer, Franny's weird, Lily's small and Egg is Egg' the initiated reader can do no other than shout a deafening 'yes, I know what you mean!' From there on,

Set among the apple orchards of rural Maine, it is a perverse world in which Homer Wells' odyssey begins. As the oldest unadopted offspring at St Cloud's orphanage, he learns about the skills which, one way or another, help young and not-so-young women, from Wilbur Larch, the orphanage's founder, a man of rare compassion with an addiction to ether. Dr Larch loves all his orphans, especially Homer Wells. It is Homer's story we follow, from his early apprenticeship in the orphanage, to his adult life running a cider-making factory and his strange relationship with the wife of his closest friend.

Rob is a music junkie who owns record shop in Islington. Unable to make his relationship with Laura work, he seeks refuge in the company of the two hopeless guys, and in a one night stand, only to find that life with Laura has its unexpected attractions.

When you're 36, going on 18, life is about being hip, being cool, and embracing all that Mothercare has to offer ...

A chance meeting in Rio takes Maria to Geneva, where she dreams of finding fame and fortune, yet ends up working the streets as a prostitute. In Geneva, Maria drifts further and further away from love while at the same time developing a fascination with sex. Eventually, Maria's despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness, ‘sexual pleasure for its own sake’, or risking everything to find her own 'inner light' and the possibility of sacred sex, sex in the context of love. A daring modern fable about the nature of love and sex.