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Alan Ball’s True Blood series works well for television, as it has enough sensationalism to tantalise and enough story girth to make the viewer care about the characters. That one can finally invest emotion into monsters, including an undead Civil War victim, a transformer who can shapeshift into various animals, and a female mind reader, speaks volumes about America’s willingness to accept fantasy. Of course, television has always produced good fantasy shows (I Dream of Jeannie), but True Blood’s Southern Goth brand of fun horror is more macabre and more perverse, not to mention gorier, than most shows of its kind to date. Adapted from Charlaine Harris’ Sookie Stackhouse novels, True Blood thrills because of its equal blend in each