Klasika

Young women who have no economic or political power must attend to the serious business of contriving material security'. Jane Austen's sardonic humour lays bare the stratagems, the hypocrisy and the poignancy inherent in the struggle of two very different sisters to achieve respectability. Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival.

Jane Austen's novel tells the story of Marianne Dashwood, who wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

One of the great imaginative novels of the century, a fierce political satire, filled with the most dazzling surreal humour. One hot spring, the devil arrives in Moscow, accompanied by two demons, a beautiful naked witch and a huge black cat with a fondness for chess and vodka. When the visitors leave, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, remain undiminished. An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is one of the essential classics of modern Russian literature.

Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, "Zooey", plunges us into the world of her ethereal, sophisticated family. When Franny's emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice. Written in Salinger's typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that ha

Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.

Phileas Fogg is the most laconic and orderly of men. His house in Saville Row is run like clockwork and his routine is meticulous. Passepartout, his new servant, is looking for a quiet life, but he is to be disappointed: on the very day he is employed, his master tells him to pack at once for a journey around the world. At his club that day, Fogg bet half his fortune that he could travel the world in an easterly direction in eighty days; so he and Passepartout begin their voyage. But Detective Fix of Scotland Yard finds it coincidental that Fogg should want to escape England in such a hurry while there is a robber on the loose. Convinced they are one and the same person he joins them on the first leg of their epic travels. A race against time to save face and fortune, Around the World

Anyone who has read J.D. Salinger's New Yorker stories particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme With Love and Squalor, will not be surprised by the fact that his first novel is fully of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, ho

These special fairy tales, which Oscar Wilde made up for his own sons, include 'The Happy Prince', who was not as happy as he seemed; 'The Selfish Giant', who learned to love little children; 'The Star Child', who suffered bitter trials when he rejected his parents. . . . Often whimsical and sometimes sad, they all shine with poetry and magic.

When Betty MacDonald married a marine and moved to a small chicken farm on the Olympic Peninsula in Washington State, she was largely unprepared for the rigors of life in the wild. With no running water, no electricity, a house in need of constant repair, and days that ran from four in the morning to nine at night, the MacDonalds had barely a moment to put their feet up and relax. And then came the children. Yet through every trial and pitfall—through chaos and catastrophe—this indomitable family somehow, mercifully, never lost its sense of humor. A beloved literary treasure for more than half a century, Betty MacDonald's The Egg and I is a heartwarming and uproarious account of adventure and survival on an American frontier.

Fielding's comic masterpiece of 1749 was immediately attacked as 'A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest wo

It's New York in the 1940s, where the martinis flow from cocktail-hour to breakfast at Tiffany's. And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction.