Beletrie v angličtině

Slowness was Milan Kundera's first novel written in French. Disconcerted and enchanted, the reader follows him through a midsummer's night in which two tales of seduction, separated in time by more than two hundred years, interweave and oscillate between the sublime and ridiculous. As Kundera's readers would expect, Slowness is at the same time a formidable display of existential analysis. Slowness (and rapidity), discretion (and exhibitionism) are the principal concepts, and those which are to the reader like vital keys for understanding life in our contemporary world.

Shortlisted for the Costa Book Awards Shortlisted for the Cilip Carnegie Medal 2008 'I'd been kicked out of two boarding schools and the last thing I wanted was to be here, on the East Anglian coast, in a third. But without St. Oswald's, I would not have discovered the fisherman's hut with its roaring fire, its striped blankets, its sea monster stew. Without St. Oswald's, I would not have met the boy with the beautiful eyes, the flickering half-smile, and no past. Without St. Oswald's, I would not have met Finn. And without Finn, there would be no story. Shall we begin?'

Jack Reacher is six foot five and dangerous, adrift in the hellish heat of Texas, moving like a shark in the water, and looking for a lift through the vast empty landscape. A Cadillac stops. A ride, but with a hitch. A pretty young woman, alone. Her husband's in jail. When he comes out, he's going to kill her. Her family's hostile, she can't trust the cops, and lawyers won't help. Reacher is her last option. Will this be the first time he says no - to a lady in distress?

The chilling movie we could not forget . . .The Exorcist changed popular culture forever.Forty years ago, the movie that was based onWilliam Peter Blatty's runaway #1 bestseller--agroundbreaking story of faith and supernaturalsuspense--held audiences captive. Now this specialedition commemorates the 40th anniversary of the iconic film that paved the way for the entire genrethat followed it: the unforgettable The Exorcist.

Simon Kernick writes with his foot pressed hard on the pedal. Hang on tight!
Harlan Coben


It’s cold, it’s December – and ex-cop Dennis Milne is intent on revenge.

His best friend has been brutally executed, and Milne wants to know who did it – and why.

But London is a dangerous place, especially for a man on his own.

And although his former colleagues don’t know Milne’s back in town, it soon becomes clear there are people who do. And that they’ll stop at nothing to get him out of the way.

From the beaches of the Philippines to the mean streets of London, a hunt for justice becomes a terrifying battle for survival.

Great plots, great characters, great action.
Lee Child

When Paddy Meehan, Glasgow’s youngest aspiring journalist, is called to a domestic dispute at a house in a wealthy suburb in the north of the city, it seems like just another police call. The blonde bleeding from a head injury in the shadows doesn’t want any help; and the well dressed man at the front door assures Paddy that everything’s fine, and that she can leave. And then he slips her a crisp £50 note to keep the story out of the paper. By the next morning the woman’s dead.Paddy may have found the story she’s dreamed about, but she’ll lose all credibility if the word gets out about her bribe. The police who attended the call are twisting the evidence for reasons of their own. Only Paddy cares enough to pursue a dark and brutal truth that could make her career - or ki

Meet Jonathan Quinn: a freelance operative with a take-no-prisoners style and the heart of a loner. His job? Professional “cleaner.” Nothing too violent, just disposing of bodies, doing a little cleanup if necessary. But in Brett Battles’s electrifying debut novel, Quinn’s latest assignment will change everything, igniting a harrowing journey of violence, betrayal, and revenge. The job seemed simple enough: investigating a suspicious case of arson. But when a dead body turns up where it doesn’t belong–and Quinn’s handlers at “the Office” turn strangely silent–he knows he’s in over his head. With only a handful of clues, Quinn scrambles for cover, struggling to find out why someone wants him dead . . . and if it’s linked to a larger attempt to wipe out the Office

'Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.