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Like their father before them, the three sons of Hal Courtney are drawn inexorably to Africa. Fate decrees that they must all leave England forever to make their lives in the dark and unexplored continent. Gradually the three brothers are seduced by the allure of this magnificent land.

When asked what he does, Robert Fulghum usually replies that he is a philosopher, and explains that what he likes to do is to think about everyday things and then to express what he thinks by writing, speaking or painting. All I Really Need To Know is a collection of his favourite observations, written over the years, that reveal simple truths about small lives with big meanings. Like the things he learned in the sandpit at Sunday School: share everything; play fair; don′t hit people; put things back where you found them; clean up your own mess; say you′re sorry when you hurt somebody, and so on. His uncommon thoughts on common things hold true, clear and firm however complicated or sophisticated the situation - and they are bound to raise the spirits and to warm the heart.

When Bill Masen wakes up blindfolded in hospital there is a bitter irony in his situation. Carefully removing his bandages, he realizes that he is the only person who can see: everyone else, doctors and patients alike, have been blinded by a meteor shower. Now, with civilization in chaos, the triffids - huge, venomous, large-rooted plants able to 'walk', feeding on human flesh - can have their day.

The Day of the Triffids, published in 1951, expresses many of the political concerns of its time: the Cold War, the fear of biological experimentation and the man-made apocalypse. However, with its terrifyingly believable insights into the genetic modification of plants, the book is more relevant today than ever before.

All three parts of The Lord of the Rings in one paperback, with brand new packaging and for the first time containing the definitive edition of the text and a revised and expanded index. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike. One hundred million copies of its many editions have been sold around the world, and occasional collectors' editions become prized and valuable items of publishing. Now, to celebrate the 50th anniversary of its first publication, the text has been fully restored with almost 400 corrections -- with the full co-operation of Christopher Tolkien -- making it the definitive version of the text,

The Return of the King is the third part of JRR Tolkien's epic masterpiece The Lord of the Rings. This 50th anniversary edition features special packaging and is the first paperback edition to include the definitive edition of the text. Impossible to describe in a few words, JRR Tolkien's great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail. Tolkien created a vast new mythology in an invented world which has proved timeless in its appeal. Now, to celebrate the 50th anniversary of its first publication, the text has been fully restored with almost 400 correcti

TRUTH! JUSTICE! FREEDOM!AND A HARD-BOILED EGG!

Commander Sam Vimes of the Ankh-Morpork City Watch had it all. But now he’s back in his own rough, tough past without even the clothes he was standing up in when the lightning struck.

Living in the past is hard. Dying in the past is incredibly easy. But he must survive, because he has a job to do. He must track down a murderer, teach his younger self how to be a good copper and change the outcome of a bloody rebellion. There’s a problem: if he wins, he’s got no wife, no child, no future.

A Discworld Tale of One City, with a full chorus of street urchins, ladies of negotiable affection, rebels, secret policemen and other children of the revolution.

There was an eighth son of an eighth son. He was, quite naturally, a wizard. And there it should have ended. However (for reasons we'd better not go into), he had seven sons. And then he had an eighth son…a wizard squared…a source of magic…a Sourcerer. Sourcery sees the return of Rincewind and the luggage as the Discworld faces its greatest - and funniest - challenge yet.

This is where the dragons went. They lie…not dead, not asleep, but…dormant. And although the space they occupy isn't like normal space, nevertheless they are packed in tightly. They could put you in mind of a can of sardines, if you thought sardines were huge and scaly. And presumably, somewhere, there's a key...


Guards! Guards! is the eighth Discworld novel - and after this, dragons will never be the same again!

There's Young Agnes, who is really in two minds about everything. Magrat, who is trying to combine witchcraft and nappies, Nanny Ogg…and Granny Weatherwax, who is big trouble. And the vampires are intelligent. They've got style and fancy waistcoats. They're out of the casket, and want a bite of the future. Mightily Oats knows he has a prayer, but wishes he had an axe. Carpe Jugulum is Terry Pratchett's twenty-third Discworld Novel - but the first to star vampires.

Set in Hardy's Wessex, Tess is a moving novel of hypocrisy and double standards. Its challenging sub-title, A Pure Woman, infuriated critics when the book was first published in 1891, and it was condemned as immoral and pessimistic. It tells of Tess Durbeyfield, the daughter of a poor and dissipated villager, who learns that she may be descended from the ancient family of d'Urbeville. In her search for respectability her fortunes fluctuate wildly, and the story assumes the proportions of a Greek tragedy. It explores Tess's relationships with two very different men, her struggle against the social mores of the rural Victorian world which she inhabits and the hypocrisy of the age.

Quirky, bizarre, tragic, fiendishly funny, The Hotel New Hampshire is anything but a conventional family saga, though a family saga it certainly is. The Berry family are different. Love abounds - both healthy and incestuous. It is the overwhelming desire of the Berry father to run a hotel, which he does, with dubious success in both a former girls' school in New Hampshire, and in Vienna. It is the Berry children who grab the readers' attention, sympathies and love - all five of them: Frank (the eldest), Franny (the weirdest), John (the narrator), Lily (the writer) and Egg (the youngest). When Irving, or rather John, writes 'Frank's queer, Franny's weird, Lily's small and Egg is Egg' the initiated reader can do no other than shout a deafening 'yes, I know what you mean!' From there on,